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ICOMOS Singapore issues statement objecting to the demolish and reconstruction of Ellison Building

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ICOMOS Singapore issues statement in regards to the announcement by Singapore authorities to demolish and reconstruct three units (nos. 235, 237, and 239) of Ellison Building to make way for the construction of the proposed underground North-South Corridor.

The committee states that it is deeply disturbed by the authorities’ disregard for the heritage value of this building and the lack of transparency behind this decision which is problematic and regressive on the following fronts.

ICOMOS Singapore is Singapore’s National Committee of the International Council on Monuments and Sites (ICOMOS), founded in Warsaw in 1965, following the signature of the International Conservation and Restoration of Monuments and Sites (‘Venice Charter’).

Ellison Building was built in 1924 and the three said units are located at the junction of Selegie and Bukit Timah Roads. The building consists of 16 adjoining shophouse units. The three affected units complete the Bukit Timah end of its two distinctive curved street corner façades, each crowned by a cupola.

In 2008, Ellison Building was gazetted as a conservation building by URA as part of the Mount Sophia Conservation Area. ICOMOS noted that this fact has been proudly highlighted on the URA’s website.

The society also stated that it is regrettable that despite the building’s conserved status, the authorities have nonetheless decided to proceed with demolishing and rebuilding the three shophouses.

PLANNING PRIORITIES & LEGAL PROTECTION

Ellison Building has been a conserved building since 2008, some 8 years before this decision was taken. Certain buildings are conserved for their historical and architectural merits and value. For these same reasons, conserved buildings are accorded protection against destruction.

As stated in URA’s own Conservation Guidelines: Conservation of our built heritage is an integral part of urban planning and development in Singapore. The restoration of our historic areas adds variety to our streetscapes and modulates the scale of our urban fabric, creating the visual contrast and excitement within the city while protecting the important reminders and representations of our past.

In addition, it adds to the distinctive character and identity of our city, giving it a sense of history and memory of place. For conservation to mean anything, it must act as a deterrent against destruction. That is why the law is invoked to ensure that any violations are prosecuted. Thus, it only stands to reason that any planning proposals must respect the building’s conserved status and work around it. What the authorities have done is nothing short of a volte-face.

The public must assume that a ‘conserved’ building is in fact protected, and not an inconvenience to be done away with when it is deemed to hamper planning dictates. The decision to demolish the three shophouses sets a highly unhealthy precedent. It negates the critical role of heritage conservation in Singapore’s national planning agenda and undermines decades of painstaking efforts by state agencies, building owners, heritage stakeholders, professionals and builders, and the progress in conservation achieved so far.

CONSULTATION & ASSESSMENT

The authorities have presented the ‘conflict’ in planning priorities as a false dichotomy — that of development versus heritage. The choice is not binary for a much more balanced and integrated approach is possible.

However, this will require a great deal more political will, belief, and effort from all sectors than has thus far been evinced. This ‘exceptional course of action’ – to demolish and reconstruct part of a gazetted conservation building – will have long term implications on future planning and conservation policies.

That being the case, it behooves the authorities to undertake a proper Heritage Impact Assessment, consult with stakeholders, and engage with experts to explore alternative solutions. It is not evident if any of this has been done. Indeed, the authorities have kept silent all these months on this proposal and only unleashed it on an unsuspecting public in midAugust this year.

THE PROBLEM OF RECONSTRUCTION

While reconstruction is recognized as one of the strategies in conservation practice, it is only recommended for damage inflicted on highly significant heritage structures and sites in situations that are beyond control, such as warfare or natural calamities, as part of the healing process of not just the city but also for its inhabitants.

This is clearly not the case for Ellison Building. The proposed partial demolition and reconstruction is a conscious planning decision. In this case, the decision to reconstruct appears to be little more than a convenient and expedient resolution that short circuits the due processes described earlier.

The Singapore Heritage Society (SHS) had earlier issued a statement also on the matter, asking that the government to reconsider its plans to demolish and reconstruct Ellison Building. It pointed out that reconstruction is not a good option because it is the falsification of historical artefacts, whatever is done it is not the genuine original.

It noted that too often, such methods are taken as the easy option instead of exploring other means and techniques for preservation and conservation, that destroying and reconstructing a building is usually cheaper and more time-saving than planning and working around such a building,


ICOMOS is an association of over 10,000 cultural heritage professionals from over 100 countries, working for the conservation and protection of monuments and sites – the only global non-government organisation of its kind. ICOMOS is officially a UNESCO advisory body. It actively contributes to the World Heritage Committee and takes part in the implementation of the World Heritage Convention.

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DPM Heng Swee Keat asks for feedback on making Changi Point more “vibrant”; netizens prefer it to be untouched

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There is high potential to turn Changi Point “into a vibrant recreational and heritage node” with its “colonial rustic charm”, said Deputy Prime Minister (DPM) Heng Swee Keat.

In a Facebook post on Sunday (18 Apr), Mr Heng noted that he has always enjoyed the area, which is home to several government chalets like Fairy Point where the DPM has stayed in a few times over the years, as well as some modern restaurants and the old Changi Hospital.

Citing the history of the area, he wrote, “The hospital was built by the British and subsequently became Changi Hospital. But the buildings fell into disuse when Changi Hospital merged with Toa Payoh Hospital in 1997 to form Changi General Hospital in Simei.”

Mr Heng went on to encourage the public to share their suggestions for the Singapore Land Authority (SLA) and the Urban Redevelopment Authority (URA)’s ‘Charmingly Changi‘ competition.

The competition, recently launched on 15 April, encourages members of the public to share their ideas as part of a collective vision to repurpose the existing buildings at Changi Point, according to the website.

In his post, Mr Heng also encouraged residents to join in the East Coast Conversation this Friday (23 Apr) on how Singapore can preserve the area’s “heritage and old charm while creating new vibrancy and modernity”.

“This is one example of how we are working with you to build a vibrant East Coast,” he concluded.

Netizens wary of prospect of modernising Changi Point

Several commenters on Mr Heng’s post, however, were hesitant about the prospect of modernising Changi Point.

“We have very little places like that left in SG. It does not need to be another recreational hub,” one commenter said.

One person cautioned that if heritage spaces in Singapore continue to be repurposed and modernised, the country will eventually “be a country with no history” as all the old buildings are being replaced with shopping malls.

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Arts & Culture

Cultural researcher and educator calls for The Substation “to be part of Singapore’s collective memory”

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Cultural researcher and educator Wong Chee Ming on Saturday (6 Mar) lamented the closure of The Substation, saying that “the value of the place was way beyond dollars and cents as a sum of all its events and subtenancies”.

Wong, better known as Z’ming Cik online, spoke of feeling “heartbroken” about “what we have lost” when looking at pictures of the arts venue, taken by photographer Koh Nguang How in the 1990s.

For those who may be unaware, The Substation — Singapore’s first independent arts centre — will be vacating its iconic premises on Armenian Street in July.

The Substation has been at its current premises since 1985 and after more than 30 years, the National Arts Council (NAC) will be taking back the space for renovation works.

The NAC justified its decision on the basis that The Substation was becoming increasingly “financially unsustainable.”

Many in the arts community have lamented its upcoming loss, questioning if the arts should be quantified and judged solely on costs.

Just recently, Lianhe Zaobao executive sub-editor, Choo Lip Sin shared his views following reports on the upgrading of The Substation’s premises at 45 Armenian Street.

Choo also shared some of the sentiments expressed by Fendi, the ex-artistic director of The Substation.

Fendi said that “many in the arts community still have reservations or difficulty with navigating or comprehending the what and how of being inclusive and being diverse”.

”And no one wants to remain poor,” Fendi added.

Losing The Substation as an independent and ungentrified art space, said Choo, is akin to facing the consequences of bulldozing Kampong Lorong Buangkok to build a new ‘Sengkang (a-la-Tampines) Hub’ towards Singapore’s urban and social landscape.

”We give up a part of our collective souls in that process,” Choo stressed.

Wong similarly said, “What will be missed is not just how the whole place from the gallery and theatre, studios and the garden in the heyday felt like an organic whole.”

“It was the sense of humanistic spirit where it did not even matter if your artwork or event was something to be monetised,” he added.

Wong also questioned why the NAC had considered The Substation “financially unsustainable” when it “is hardly a patch on the Esplanade in terms of annual expenditure”.

Singapore seems “to have completely lost the plot” in the way its cultural industry is being run, he opined.

Wong said that The Substation should be “part of Singapore’s collective memory”, and reminded Singaporeans to preserve, share and reflect on its memories.

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