By Terry Xu
A total of forty-five arts groups have come together to reject Media Development Authority (MDA)’s new Arts Term Licensing Scheme with a position paper published on the artists’ network Arts Engage.
This comes after a post at Arts Engage, “Artists in Singapore are mostly against the scheme” published on 25th May by local artists to voice against the new scheme.
MDA launched a public consultation paper on 12 May 2014 with the view of making amendments to the Public Entertainments and Meetings Act (PEMA). The objective of these amendments, according to MDA, is to “spur co-regulation by empowering arts entertainment event organisers to classify their own performance, such as plays, musicals and concerts, while being mindful of community standards and expectations”.
Under the MDA’s current scheme, “arts entertainments event organisers have to apply for individual licences for each performance or event, and the classification for the content is undertaken by MDA.”
The new Term Licensing Scheme which will run in July, is broken into two tiers.
Those under the first tier may self-classify their performances that fall within the “General” rating. There are around 90 percent of the 1200 arts entertainment licenses MDA issued last year that fall under this category. For the second tier, “licensees may self-classify performances up to the highest ‘Restricted 18’ rating”.
The arts groups argue in the position paper that the mechanics of the scheme run contrary to the spirit of co-regulation, self-classification and empowerment as the underlying principles of implementing such a scheme is in conflict with promoting an environment that fosters creativity. The arbitrary nature of classifying arts content, the penalties associated with misclassification, and the lack of clarity on the appeals process raises questions of fairness and transparency.
The position paper writes,

The current model of the MDA as gatekeeper and mediator between artists and disgruntled members of the public is deeply flawed. It sets up a false dichotomy of ‘artists versus community’, perpetuating the notion that society needs to be protected from its artists.
Artists and arts practitioners in Singapore are part of the community-at-large, not apart from it. We are also citizens, parents, members of religious groups, live in the ‘heartlands’, and we pay our taxes – like everyone else. It is misguided to presume that artists’ interests are at odds with community’s interests.
We therefore request for the relevant policy-makers to consider and acknowledge our strong objections to the Scheme. We also strongly recommend that:
1. The authorities delay the tabling of this Bill in Parliament;
2. MDA openly engage both artists and the general public in a wider and more robust round of consultations before such a scheme is rolled out.
Until these concerns are addressed, we, the undersigned, have no choice but to reject MDA’s new Arts Term Licensing Scheme.

(Image of performance by Wildrice Production)
Read the full position paper by the arts groups attached below
Arts engage position paper.

Subscribe
Notify of
0 Comments
Inline Feedbacks
View all comments
You May Also Like

鄞义林:你想让恶霸来当你的政府吗?

翻译自鄞义林(Roy Ngerng)原文: 有人认为,新加坡总理控告某博客,还是某个新闻平台被政府起诉了,都无关紧要。 他们说:没关系,我们还可以到其他平台阅读浏览,新的网站会出现的。 区伟鹏经营的“打哈欠面包”(Yawning Bread)博格,第一篇文发表于2003年。在2012年,他被新加坡政府起诉藐视法庭,并在2015年被判有罪,罚款八千元。“打哈欠面包”最后一文写于今年1月,区伟鹏写了整整14年。 我在从2012年开始在博客“诚心真相”(The Heart Truth)撰文。2014年,我被新加坡总理以民事诽谤提诉,并在2015年被判罪名成立。法庭要我支付总理18万元的损失。我在2016年八月续笔,在去年八月上载数份文章前,还暂停了一阵子。我只写了四年,共700文。 梁实轩的博格就是“Leong Sze Hian”,最早的一篇文写于2007年。在去年12月,他被总理提告诽谤,可能面对数十万元的赔偿。他的最后一篇文章写于2018年11月,他写了整整11年。…

First pregnant woman tested positive for Zika virus infection

Ministry of Health (MOH) has confirmed the first case of pregnant woman,…

揶揄《海时》选择性报导 郑庆顺批评登加新镇投稿被无视

新加坡国立大学建筑系客座教授郑庆顺,于两年前曾撰文批评登加新镇的开发,乃是对国内珍稀森林地不必要的破坏,并把文章投稿给《海峡时报》,惟后者并没有将之刊登。 郑庆顺是在昨日,依网友Tann Chee的要求,向他展示主流媒体如何对不符合官方论述的消息,选择性报导。 他在脸书揭露两年前,曾致函给《海峡时报》,稿件誌期2016年10月27日,文中批评批评登加新镇的发展,是对宝贵天然森林地不必要的破坏。 郑庆顺揶揄,也许是担心他的稿件内容会让建屋发展局和市区重建局(URA)“显得愚蠢”,所以《海时》才没有将之刊登出来。 郑庆顺是对登加新镇的发展,提出他的忧虑。他指出,住宅本就是社会政治课题。首先必须考量登加新镇是否符合社经需求? “其一,年长者希望现有组屋保值,年轻选民则希望房屋价格可负担。很显然登加新镇是面向年轻选民,而不是针对想为资产保值的年长者。” 人口拥堵也是值得关注的课题,更多外国人涌入,可能提升房产价值。补贴可以减轻年轻人买房压力,也为旧组屋保值,当然也需要反向抵押贷款等金融配套的辅助。不过,郑庆顺更为关心,如果登加新镇仅仅是面向年轻人,会否有违理想的家庭空间关系? 登加新镇的开发,志在把森林城镇化,间中有森林公园贯穿整个城镇。但郑庆顺并不太苟同这类概念。 应避免在绿地搞建设 郑庆顺认为,在绿地搞建设,可免则免。他在个人录制的Youtube视频《新加坡2.0版本》,就提到当港口迁移到大士后,西起班丹蓄水池,东至滨海东(Marina East),就腾出了足以容纳一百万人口的发展用地。…

NSP: The work of a MP is beyond managing an estate and should centre around lawmaking

National Solidarity Party’s Acting secretary-general Hazel Poa said that the work of…